COURAGE

povezovanje zbirk

The private collection, established in 2016, presents the life and work of Sevdalina Panayotova. It shows this literature teacher, theater director, public figure, and citizen daily and consistent opposition to the hypocrisy of the structures of state socialism and against the status quo. Sevdalina Panayotova, a teacher and cultural activist, was neither a well-known writer, director, nor a popular dissident, but her whole life and creativity was a rebellion against the attempt of the socialist state to impose narrow standards and norms on everyday life and thinking, a rebellion against pseudo-morals and pseudo-arts, against the principles of socialist realism in literature and theatrical art.

The collection of books, scripts, photos from theatrical productions, interviews given by Sevdalina Panayotova and interviews with her, published articles, among others, shows an "ordinary" life of civil and cultural opposition. Sevdalina Panayotova pursued opposition through critical themes in literature and theater as well as through the use of innovative means of expression by resisting against imposed artistic forms. The collection highlights individual estrangement from the socialist state, the dynamics of criticism, and the risks criticism entailed for "ordinary" people. The collection shows the attempt of a "life of truth" and of repeated defiance borne out of a strong moral stance. It is also a good example of a small family collection that maintains personal memories without having a grand political agenda.

Liget Gallery is a small non-profit gallery operated by the Cultural House of the 14th district of Budapest. Since its founding in 1983, it has arranged approximately 450 exhibitions and events in the gallery and elsewhere. In the 1980s, it started to present solo shows of works by radical artists from the region and exhibit new tendencies within the local scene. The archive documents these activities.

The collection of Ilona Liskó is the legacy of the oeuvre of a sociologist who tried to shed light on the problems in Hungarian society which, according to the official stance of the regime, did not exist. Liskó felt a sense of solidarity with the poor and marginalized in part thanks to her family upbringing, and her desire to shed light on their sufferings came from her deep sense of social obligation.

The collection holds much valuable information on the policy of Lithuanian Communist Party Central Committee towards various manifestations of cultural opposition. The documents also reflect the situation of the Lithuanian intelligentsia, whose main goal was to preserve the Lithuanian cultural heritage. The documents cover the period of liberalisation, i.e. de-Stalinisation, in Soviet Lithuania.