alternativne oblike izobraževanja
alternativni življenjski slog in odproti proti vsakdanjemu
avantgarda, neoavantgarda
cenzura
demokratična opozicija državni nadzor
emigracija/izgnanstvo
film filozofska/teoretična gibanja
gibanje za človekove pravice glasba
književnost in književna kritika kritična znanost
likovna umetnost ljudska kultura
manjšinska gibanja medijska umetnost
mirovna gibanja nacionalna gibanja
narodna gibanja
neodvisno novinarstvo partijski disidenti
popularna kultura
samizdat in tamizdat socialna gibanja
survivors of persecutions under authoritarian/totalitarian regimes
svoboda vesti
theatre and performing arts
underground culture
verski aktivizem
visual arts
women's movement
youth culture zaštita okoliša
znanstvena kritika
študentsko gibanje
artefakti
drugo
film
fotografije
glasbeni posnetki
glasovni posnetki
grafika
karikature
kipi
likovna dela
obleke
pohištvo
pravna in/ali finančna dokumentacija
predmeti uporabne umetnosti preostala umetniška dela
publikacije rokopisi siva literatura spominki strojna opema
video posnetki
Zbirka D fonda − prepovedana literatura (1945−1991) je shranjena v Narodni in univerzitetni knjižnici v Ljubljani in je sestavni del Zbirke slovenskega tiska izven Republike Slovenije. V D fondu se večinoma nahajajo knjige in periodika, objavljeni izven socialistične Jugoslavije, predvsem slovenske emigrantske scene, manjši del pa tudi emigrantskih skupin drugih jugoslovanskih narodov.
The records of Croatian-American sociologist Dinko Tomašić are deposited at the Hoover Institution Library & Archives, Stanford University. In accordance with its own themes and periodization, it covers Tomašić's public work after the Second World War, when he settled in the United States as a political émigré. The collection testifies to Tomašić's sociological research, in which he critically examined political and social phenomena of post-war communist society in Croatia and Yugoslavia. The main thesis of Tomašić's sociological theory was that the revolutionary transformation of society and the huge growth of the party-state’s power destroyed political, economic, social and cultural pluralism in the public life of the Yugoslav nations. Based on his sociological methods, and making use of results the fields of ethnography and anthropology, he believed that the source of the Yugoslav revolution derived from the specific Dinaric culture, which belonged to economically passive territories, regions where the Partisan movement secured the great support, such as Montenegro, Dalmatia, Lika, Bosnia and Herzegovina.