alternativne oblike izobraževanja
alternativni življenjski slog in odproti proti vsakdanjemu
avantgarda, neoavantgarda
cenzura
demokratična opozicija državni nadzor
emigracija/izgnanstvo
film filozofska/teoretična gibanja
gibanje za človekove pravice glasba
književnost in književna kritika kritična znanost
likovna umetnost ljudska kultura
manjšinska gibanja medijska umetnost
mirovna gibanja nacionalna gibanja
narodna gibanja
neodvisno novinarstvo partijski disidenti
popularna kultura
samizdat in tamizdat socialna gibanja
survivors of persecutions under authoritarian/totalitarian regimes
svoboda vesti
theatre and performing arts
underground culture
verski aktivizem
visual arts
women's movement
youth culture zaštita okoliša
znanstvena kritika
študentsko gibanje
artefakti
drugo
film
fotografije
glasbeni posnetki
glasovni posnetki
grafika
karikature
kipi
likovna dela
obleke
pohištvo
pravna in/ali finančna dokumentacija
predmeti uporabne umetnosti preostala umetniška dela
publikacije rokopisi siva literatura spominki strojna opema
video posnetki
The Fund for Aiding the Poor (SZETA) was a unique endeavor of the Hungarian democratic opposition involving counter-cultural initiatives in the fields of art and literature and a heightened social awareness for those in need. The original documents of SZETA have survived to our day only in part, and are scattered across private collections. Therefore an almost complete documentary collection of SZETA could be composed only virtually as of yet, with items from the relevant holdings of the Blinken-OSA Open Society Archives, Budapest, the secret police files of the Historical Archives of the State Security Services (ÁBTL), Budapest, and Gabriella Lengyel's online collection, together with some private papers of Gábor Havas, Bálint Nagy, Ferenc Kőszeg, Gyula Kozák, Zsuzsa Hermann, and others.
The photographies from the Tomislav Peternek collection at the Museum for Contemporary Art in Belgrade document scenes of significant historical protests and conflicts between people and the police in socialist Yugoslavia. In addition to the photographers outstanding faculties in aesthetic terms, the photographies are examples of the modernist current that have intersected with photographic socrealism. The photo from the series "Red University" [Crveni univerzitet] was part of a significant exhibition held at the Belgrade Youth Center [Domu omladine Beograda] right after the end of student protests in Belgrade in 1968 despite the high risk to be threatened by the authorities and the police.