alternativne oblike izobraževanja
alternativni življenjski slog in odproti proti vsakdanjemu
avantgarda, neoavantgarda
cenzura
demokratična opozicija državni nadzor
emigracija/izgnanstvo
film filozofska/teoretična gibanja
gibanje za človekove pravice glasba
književnost in književna kritika kritična znanost
likovna umetnost ljudska kultura
manjšinska gibanja medijska umetnost
mirovna gibanja nacionalna gibanja
narodna gibanja
neodvisno novinarstvo partijski disidenti
popularna kultura
samizdat in tamizdat socialna gibanja
survivors of persecutions under authoritarian/totalitarian regimes
svoboda vesti
theatre and performing arts
underground culture
verski aktivizem
visual arts
women's movement
youth culture zaštita okoliša
znanstvena kritika
študentsko gibanje
artefakti
drugo
film
fotografije
glasbeni posnetki
glasovni posnetki
grafika
karikature
kipi
likovna dela
obleke
pohištvo
pravna in/ali finančna dokumentacija
predmeti uporabne umetnosti preostala umetniška dela
publikacije rokopisi siva literatura spominki strojna opema
video posnetki
István Kemény’s collection (mostly recorded interviews) concerns sociological research on the Roma from 1971. The project analysed the problems faced by the Roma in Hungary, which was a taboo topic at the time, since it was linked to another, perhaps even more important taboo, namely poverty, which officially did not exist, but which was very real and particularly dire among many Roma communities.
The Kiáltó Szó – Balázs Sándor Private Collection in Cluj-Napoca contains the second Transylvanian Hungarian samizdat magazine issued under Ceaușescu’s regime and offers insight into the democratic resistance and the human rights struggle of the time. At the same time the samizdat is an example of the pre-1989 Hungarian–Romanian rapprochement, in which the idea of shared destiny secured a common ground for minorities and the majority alike.