alternativne oblike izobraževanja
alternativni življenjski slog in odproti proti vsakdanjemu
avantgarda, neoavantgarda
cenzura
demokratična opozicija državni nadzor
emigracija/izgnanstvo
film filozofska/teoretična gibanja
gibanje za človekove pravice glasba
književnost in književna kritika kritična znanost
likovna umetnost ljudska kultura
manjšinska gibanja medijska umetnost
mirovna gibanja nacionalna gibanja
narodna gibanja
neodvisno novinarstvo partijski disidenti
popularna kultura
samizdat in tamizdat socialna gibanja
survivors of persecutions under authoritarian/totalitarian regimes
svoboda vesti
theatre and performing arts
underground culture
verski aktivizem
visual arts
women's movement
youth culture zaštita okoliša
znanstvena kritika
študentsko gibanje
artefakti
drugo
film
fotografije
glasbeni posnetki
glasovni posnetki
grafika
karikature
kipi
likovna dela
obleke
pohištvo
pravna in/ali finančna dokumentacija
predmeti uporabne umetnosti preostala umetniška dela
publikacije rokopisi siva literatura spominki strojna opema
video posnetki
The Second Directorate of the Soviet Lithuanian KGB (Fond No 41)
The documents in the collection represent KGB activity in the sphere of counter-intelligence, persecuting various forms of expression of the anti-Soviet movement, as well as KGB work against what was understood as cultural opposition. Until the autumn of 1967 (when the 5th Department of the KGB was established), the 2ndDirectorate was responsible for counter-intelligence work in ideology. From 1967, its main direction was the security of state secrets. The KGB continued to use the 2nd Directorate to fight against dissidents and opposition, but it applied a new interpretation: the underground and expressions of nationalism were seen as a danger to state secrets.
The collection represents filmmakers in Soviet Lithuania who could escape Soviet censorship because they were not professionals, and therefore worked outside official structures. As a consequence, these artists were able to address sensitive social issues, and use avant-garde forms of expression that were forbidden in official contemporary cinematography.
The periodical “Student” was one of the most important magazines in socialist Yugoslavia. The magazine was published by students of Belgrade University and dealt with student problems as well as with broader social and political issues. It was often critical towards the regime and the communist party authorities, which resulted in its being banned several times. The collection is kept at the National and University Library in Belgrade.
Punk culture in the GDR developed its own language, music and aesthetics. These constituted an open provocation to the existing system, fostering the notion of breaking with the conformity of everyday life under the regime of state socialism. In contrast to their role models in the UK who championed the slogan "no future", punks in the GDR feared "too much future", or the uniformity of prescribed and pre-determined life trajectories. 'Substitut', a privately run agency in Berlin, houses the most extensive archival collection relating to punk culture in the GDR. The archive grew out of 'Substitut's' numerous projects, including the 'production' of exhibitions and release of music compilations and publications.